UHDTV

UHDTV is short for Ultra High Definition Television and the natural evolution from High Definition Television (HDTV) to a higher fidelity television standard.

uhdtv2.png

Television has always aimed to give the viewer the sense of being part of the scene. The UHDTV format promises a more immersive audiovisual experience than HDTV can offer. It aims to improve the sense of being there and the sense of realness of the content being captured and shown.

We use UHDTV to include: Better resolution (4K), High Dynamic Range (HDR), Wide Colour Gamut (WCG), High Frame Rates (HFR), and Next Generation Audio (NGA).

How the EBU helps

The EBU provides technical specifications and guidelines, performs tests and shares practical experience to help its Members plan and deploy UHDTV services. This work is part of the EBU Strategic Programme on Production, which includes a group covering the Audio and one covering the Video aspects.

 

The more immersive experience is achieved by improving several video and audio parameters. Not all of these need to be used at the same time; they are options that can be mixed and matched, allowing for  image and sound quality improvements to be deployed gradually (e.g. when upgrading existing production facilities). Example: using 1080p/50 with HDR is also a UHDTV service.


  More pixels
The first parameter that can be improved over HDTV is the image resolution, often referred to as Ultra High Definition (UHD). There are two options here:
- 3840x2160p = four times HDTV, commonly refered as 4k;
- 7680x4320p = 16 times HDTV resolution, commly referred as 8k.
 
 

More light levels

The second parameter concers the video's dynamic range, which is the range of perceptible light levels between the deepest darks and the brightest highlights in a scene. High Dynamic Range (HDR) provides more 'light levels' than Standard Dynamic Range (SDR), allowing images to 'sparkle'. This fits well with newer CE display technologies that feature a higher peak brightness. More on HDR.
 

  More colours
The third parameter, which typically goes hand-in-hand with HDR, concerns a wider colour gamut. The colour gamut is defined by three primaries (one for red, green and blue), which define a triangle of all the reproducable colours. The colours in this triangle form a subset of all human perceptible colours. Using Wide Colour Gamut (WCG, ITU-R BT.2020) allows more (saturated) colours to be used than are possible with the colour gamut used for HDTV (ITU-R BT.709).
 
  More frames (per second)
The fourth video parameter that can be 'upgraded' is the frame rate; the number of pictures per second. Extending the frame rate beyond the current 25 or 50 frames per second improves images with motion, which is especially relevant for sports content. With High Frame Rate (HFR) video, motion can look sharper without leading to excessive 'strobing'.
 

nga2.png
  Immersive and personalized audio
Next Generation Audio (NGA) brings immersion and personalization. It includes different audio elements (channel-based, scene-based and object-based), gives the user more control (e.g. to change the commentary volume or language), provides more efficient codecs, and is flexible; NGA can serve a multitude of devices and speakers configurations, all using one production master signal. More on NGA.

Which improvement to prioritise?

The technical options listed above vary in terms of their impact on required production resources, distribution bandwidth and end-user perception. Also, for several developments there is not yet enough mature equipment available, let alone affordable devices. And of course the situation differs country-by-country: audience uptake of new CE equipment, financial situation of the broadcaster, most recent investment cycle, status of other players sharing the same distribution platform, etc.

In brief the current (Sep 2019) UHDTV situation may be sketched as follows:

- 4k resolution is a natural evolution. This is dictated by equipment replacement cycles. Most production equipment is available, although there is some concern about its quality/cost balance, especially for lenses, see EBU tech-i 041.

- The first Public Service Media 4k full services may start around 2023/2024. However, 1080p/50 (+ HDR) services may be provided earlier, as a transition phase (e.g. see EBU PTS 2019 - UHDTV panel). The latter would benefit from 4k production (resolution oversampling).

- In general 8k resolution is not on the radar of European broadcasters, it is mostly used to market/sell new CE displays;

- HDR may offer the "best bang for the buck", but attention must be paid to correct combined SDR + HDR workflows (more on HDR)

- HFR is at least several years away, due to a lack of (professional and consumer) equipment and doubts about the 'sweet spot' (see EBU Tech Report 050);

- NGA is dependent on the soundbar penetration in homes, broadcasters changing their workflows and televisions offering user interfaces to allow users to access the NGA features (more on NGA).

The inaugural European Championships in summer 2018 provided a perfect opportunity to test several emerging technologies. This issue of tech-i looks at what was done in terms of both production and distribution, covering advanced video and audio formats and potential 5G approaches.

In 2017, Augmented Reality gained momentum due to the release of Software Development Kits and Computer Graphics productions from big players, such as Amazon, Apple, Facebook, Google and Snapchat. This guide provides an introduction to the latest AR developments.

The advent of High Dynamic Range (HDR) and Wide Colour Gamut (WCG) video naturally leads to consideration of what constitutes a good monitor for use with such signals.

A suite of programs, written for colorimetric analysis of single frames extracted from digitally captured video sequences. The programs are all written in BBC BASIC for Windows, and the routines have been kept as simple as possible.