The Video Systems Strategic Programme coordinates all work in its domain. Where relevant, dedicated groups are created to work on topics in more detail.
Currently the following deliverables are planned (green indicates the deliverable has already been delivered). Note that deliverables are dependent on enough participation in the work and that the planning is subject to change.
AR/MR
AR broadcasters survey (Q3-Q4 2017)- AR 'Proof of Concept' applications (5 different ones) (Q1 2018)
- EBU BPN 115 - Augmented Reality - A first guide for broadcasters (Q1 2018)
- EBU Tech Review on software for creating CG-based videos and AR/VR apps (Q2 2018)
Archiving
Survey of interest in Archive Guidelines (Q2 2019)
IMF
- EBU IMF Workshop (Q2 2017)
- Report on 'IMF for broadcasters' (Q3 2017)
- IMF Fact Sheet (Q3 2017, Q3 2018)
Post production
QC
- Update of EBU R 095 'Safe Areas' (Q3 2017)
- Implementation of an API for EBU.IO/QC (Q4 2017)
- Quality Control Fact Sheet (Q3 2017, Q3 2018)
- Detailed updates of existing QC Tests (Q4 2018)
Addition of QC Tests on Subtitling (Q2 2019)- Addition of QC Tests on IMF (Q2 2019)
Subtitling / Access Services
- Update of EBU-TT-D (Q4 2017, Q2 2018)
- List vendors support for EBU-TT (Q3 2018)
- Subtitling Fact Sheet (Q3 2017, Q3 2018)
- Access Services gap analysis (Q2 2019)
UHD, HDR, HFR and HD
- EBU Tech 3320 'Professional Video Monitor Requirements' HDR update (Q3 2017)
- Video Monitors Fact Sheet (Q3 2017)
- Creation of UHD HDR test material + making of video (Q3 2017)
- EBU BPN 114 - Initial Guide on HDR (Q4 2017)
- Exchange of UHD / HDR test files (XAVC) to verify metadata settings (since Q4 2017)*
- AV1 vs JEM vs HEVC subjective tests (Q1 2018)
- UHD/HDR in distribution webinar (Q1 2018)
- Sharing of Montreux Jazz HDR test material with EBU Members (Q2 2018)
- HDR production monitors testing (Q2 2018)
- HDR monitors testing report (Q1 2019)
- UHD-HDR-HFR-NGA tests during EAC 2018 (Q3 2018)
- Sharing of EAC Berlin 2018 UHD-HDR-HFR-NGA test material (Q4 2018)
- Update of EBU R 129 'Avoding screen burn-in' (Q4 2018)
- HFR Subjective Testing (Q1 2019)
- VMAF Subjective Testing (Q1 2019)
- EBU Tech Review article on the EAC 2018 UHD-HDR-HFR-NGA trial (Q2 2019)
- HFR Subjective Testing report (Q2 2019) (EBU Members can already see the results here)
- VMAF Subjective Testing report (Q2 2019) (EBU Members can already see the results here)
- HDR implementations testing (Q1-Q2 2019)
- HDR Conversion Guidelines (Q2 2019)
- EBU HDR Masterclass (Q2 2019)
- EBU Tech 3320 update (Q2 2019)
- EBU Tech 3325 update (Q2 2019)
- EBU UHD/HDR requirements/recommendation for (Q2 2019)
* To have access to the files, EBU Members need to first join the Video Systems Group.
For more information on HDR, also check out this specific HDR page.
VR
- EBU User Group on VR (Q3 2017 - Q3 2018)
- Virtual Reality Fact Sheet (Q3 2017)
- VR Proof of Concept app (Q1 2018)
Join us
We welcome your active participation in Video Systems (see key deliverables we work on above) and/or its dedicated groups: IMF-TV, QC, Subtitling. Depending on your EBU Membership status, restrictions may apply. You may also be interested to join the EBU NLE User Group (EBU Members only).
EBU Technology & Innovation Workplan
Every two years, the EBU develops a roadmap for technology and innovation activities based on the requirements and inputs given by EBU Members. The result of this roadmap is our bi-annual EBU Technology & Innovation workplan.
Video Systems exists since summer 2017 and combines the work of the previous Strategic Programmes 'BHD' and 'QC' (the latter since has become a group under Video Systems).
The EBU Strategic Programme on Video Systems deals with all aspects of video images, image quality and quality assessment, specifically concerning HDTV, UHDTV, High Dynamic Range and High Frame Rates as well as emerging immersive image systems such as Augmented, Mixed and Virtual Reality.
Taking an end-to-end approach from production to distribution and the consumer, the work encompasses all aspects of video processing, investigating production codecs, related file formats and wrappers (e.g. MXF, IMF), workflows and access services and also evaluating practicality and cost aspects.
Video Systems provides strategic and technical advice and, through active collaboration with industry and standards bodies such as DVB, ITU-R, SMPTE, and W3C, helps to ensure broadcaster requirements are reflected in future media applications and services.
See the 'activities' section for the curently planned deliverables.
Two parts
EBU Video Systems consists of two parts:
- VS-ALL, which is open to all industry professionals (including equipment manufacturers, research organizations, etc.)
- VS-EBU, which is restricted to EBU Members (public service media organizations)
When you join EBU Video Systems, you are automatically added to the appropriate e-mail reflector(s) and given access to the relevant workspaces and other tools.
How we work
The actual work is performed via the e-mail reflector(s) and using additional tools where needed.
At least one Video Systems webex per month is held with EBU Members and at least one Webex every two months with the wider group. These webexes are used to coordinate the work and keep all in-sync regarding the latest activitities.
The best places to start for an overview of what is going on are the VS-ALL workspace and the VS-EBU workspace (restricted to EBU Members).
If you have any questions/need help, please contact the coordinator: Frans de Jong (EBU).
Submit your nomination for the Technology & Innovation Award 2019
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PTS 2019 looks at the big picture with UHD, AI, IP and Cloud
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PTS puts focus on cutting-edge technologies creating value in media production
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Testing UHD-HDR-HFR-NGA live
The EBU tested the latest production technology during the European Athletics Championships (EAC 2018). The exercise provided valuable insight into the...
5G high on the agenda at FORECAST 2018
Takeaways from this year's FORECAST conference included a confirmation of the strategic importance for public service media of wireless distribution and...
EBU updates advice for burn-in prevention
The emergence of video technologies such as High Dynamic Range (HDR) and OLED screens has given new prominence to an old foe of broadcasters: screen burn-in....
EBU T&I Git repositories host more collaborative software projects
With software playing an increasingly central role in the offer of public service media organizations, the EBU has expanded the tools it offers to support...
EBU launches NLE user group
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EBU showcases HFR, Next Generation Audio and more at IBC 2018
The EBU is hosting demonstrations of Member-driven innovations, ultra-high quality content from production trials, meet-ups and a conference session on...
EBU conducts UHD HFR Tests at European Championships 2018, featuring five Members and 19 technology partners
The EBU will be leading trials with five EBU Members and 19 industry partners of production workflows to shoot, process, record, and distribute live UHD...
Improving subtitling: it's about time
Which subtitling format should a broadcaster choose when Teletext can't cope anymore? At the recent IRT-organized SubTech1 symposium in Munich, speakers...
State-of-the-art HDR video monitors tested
EBU Members and pofessional monitor manufacturers spent three days in a 'Hacker Studio' to test state-of-the-art HDR monitors.
Bringing the subtitling world together
The amount of subtitles provided around the world continues to grow, as does the number of technical solutions to do so. Convergence is in the air. Learn...
Learn how HDR, HFR and NGA improve UHD
How close is the industry to delivering a full UHD television user experience, and what does that mean? An upcoming Webinar looks at the status quo in...
EBU publishes Augmented Reality guide
The new Augmented Reality (AR) capabilties of devices and platforms are leading many broadcasters to evaluate the technology as a possible addition to...
Tackling technical complexity at PTS 2018
Managing the complexity of IT- and IP-based systems was highlighted as one of the main challenges on the way to “smarter content production” at this year's...
Content Discovery made Easier for Davos
A content discovery platform built by Eurovision, the EBU PEACH co-development team and EBU Member BR makes it easier for journalists at the WEF in Davos...
How do AV1, JEM and HEVC compare?
The EBU has commissioned the University of Applied Sciences Wiesbaden to perform a comparison of two of the latest video codecs – AV1 and JEM – in terms...
Guidance on HDR for EBU Members
The EBU has published an 'Initial Guide on HDR' to help Members understand the concepts and standards that form the basis of the High Dynamic Range technology...
EBU adds API access to QC catalogue
The EBU now provides API-based access to its QC Tests catalogue on EBU.IO/QC. This facilitates the implementation of the QC Tests in products and services,...
A burning question on displays
The EBU is surveying display technology users about their experiences with state-of-the-art video monitors in preparation for an update of its Recommendation...
EBU-TT-D subtitling fills the gap
The EBU has recently updated its EBU-TT-D subtitling format to align even better with the W3C IMSC profiles. Two new features have been added improve the...
Report: IMF has strong potential but is not on EBU Members' radar yet
The EBU has published a report evaluating the use of the Interoperable Master Format (IMF) for broadcasters. It sees strong potential for the format in...
IBC 2017: EBU hosts technology developed for broadcasters, by broadcasters
At IBC 2017, the EBU is hosting eight Member-driven projects and showcasing its Eurovision Member Services and other solutions.
EBU defines Grade 1 HDR monitors
The EBU has released EBU Tech 3320 version 4.0, the industry's reference for Grade 1, 2 or 3 Video Monitors. New is a section dedicated to High Dynamic...
EBU and DPP enter partnership to drive standards and interoperability
The EBU has entered into a formal partnership with the Digital Production Partnership Ltd (DPP) to drive the development and adoption of open technical...
EBU surveys Members on AR
The EBU is surveying its Members to better understand their appetite for Augmented Reality (AR) and to tailor supporting EBU activities to the needs of...
EBU to showcase Member-driven technology solutions at IBC 2017
The EBU stand at this year's IBC show will focus on technologies developed for broadcasters by broadcasters, with an emphasis on meeting the requirements...
Subtitling to become easier with EBU-TT now covering the entire workflow
With the publication of five new or updated EBU-TT specifications, the format now covers the complete chain from authoring to distribution, both for live...
Resilient but forced to innovate – EBU Radio Days in Tunis
Following on from a very successful ASBU Arab Festival for Radio and Television, EBU representatitves once again went to Tunisia to host the EBU Radio...
BroadThinking considers State of the Streaming Union
New approaches to streaming significantly improve the experience for audiences and facilitate improved workflows, but fragmentation and the coexistence...
Real-time interoperable IP production showcased at NAB 2017
The EBU has partnered with several other leading organizations to create the IP Showcase, demonstrating that real-time media production using IP networks...
MPEG-LA to explain DASH licensing terms at EBU BroadThinking
The Director of Global Licensing at MPEG-LA, Allen Harkness, will be speaking at the EBU's BroadThinking seminar next week to explain the proposed licensing...
Are broadcasters mastering IMF?
On 30-31 May 2017 the EBU will be holding a free workshop on the Interoperable Master Format (IMF) to help its members understand what the IMF is and how...
Aiming for the clouds – Network Technology Seminar draft programme published
From production to play-out, from drawing board to real-life deployment – this year’s EBU Network Technology Seminar lays out the IP-based production chain,...
Early days for VR, but it may find a place in PSM
EBU Members can access a new report that assesses whether and how Virtual Reality broadcasting may be of value to Public Service Media.
Major enhancements to live subtitling toolkit
Release 2 of the EBU-TT Live Interoperability Toolkit is now available, making it possible to quickly and easily set up a complete live subtitling chain.
UHD ALLIANCE MEMBERS SEE HDR AS A KEY DRIVER
The EBU hosted a meeting of the UHD Alliance in Geneva last week, with the challenge of delivering a clear and consistent HDR proposition to consumers...
PTS 2017 confirms the arrival of UHD with HDR
With more than 140 attendees, this year's Production Technology Seminar covered the usual broad range of emerging technologies. One topic that was high...
EBUCore 1.7 online; EBUCore 1.8 on track!
The latest version of the EBU's flagship metadata specification is now available for download. It has been substantially updated to take into account the...
Planet Earth II in UHD and HDR for PTS 2017
The EBU Production Technology Seminar 2017 will include a very special screening of the spectacular BBC nature documentary Planet Earth II, which was shot...
All you need to know about ATSC 3.0
A new EBU report outlines the main features of the latest terrestrial broadcast system developed in the USA.
EBU stages the Battle of Microservices Orchestration
Should you use Docker Swarms or Kubernetes for your infrastructure? Come and find out which is best for you at EBU DevCon 2016.
EBU showcases first live demonstration of UHD with HDR and HFR
At IBC 2016 in Amsterdam, the EBU presented the first live demonstration of a full UHDTV experience combining high resolution, high frame rate and high...
EBU Timed Text Live to be used by Ericsson to create live subtitling
Ericsson (NASDAQ: ERIC) today announced it is to support the creation of live subtiling using the new EBU-TT Live standard (EBU Tech 3370). Find out more......
Award-winning subtitles go live
The W3C Timed Text (TTML) work won a Technical Emmy® Award in January 2016. The prize underlines the importance subtitling/captioning has worldwide. Find...
EBU’s quest for quality
In the past year, two fundamental EBU Recommendations were updated: EBU R 095 and EBU R 103.
Meeting audience expectations
The latest issue of tech-i magazine is now out! Find out more...
EBU investigates IMF QC at IBC 2016
At IBC 2016 participants in the EBU's Strategic Programme on Quality Control will visit eight vendors who provide Quality Control (QC) products for files...
EBU to showcase innovative technologies at IBC 2016
Virtual reality (VR), High Dynamic Range (HDR) and High Frame Rates (HFR) are just some of the European Broadcasting Union’s (EBU) latest achievements...
ITU publishes recommendation on High Dynamic Range-TV
On 05 July 2016, the ITU published its recommendation, BT.2100, on High Dynamic Range (HDR)-TV.
HDR is (almost...) here!
On 01 June 2016 the EBU hosted its first workshop on High Dynamic Range (HDR). Find out more about the event...
What's all the fuss about HbbTV? Latest tech-i magazine now out!
This issue of our tech-i magazine explores “What’s all the fuss about HbbTV?”
EBU redefines illegal colours
EBU R 103 is probably one of the most well-known recommendations the EBU has produced. With version 2.0 it continues to be the reference in terms of what...
How close are we to technical standards in ‘Virtual Reality’?
Everyone recognises that there is a risk that unless there are VR standards soon, the success of VR may be brought down by the multiplicity of incompatible...
Highlights from NAB 2016: let’s get immersive!
NAB 2016 revealed once more that it’s not only content but also quality that is king! What we saw this year was a focus on getting ‘immersive.’
Last chance to register for the upcoming HDR workshop!
The event will take place on the 01 June 2016 at the EBU Headquarters in Geneva with the sole aim of demystifying the HDR topic.
EBU Technology & Innovation Team explains high dynamic range in Tunisia
The EBU Sister Union, the Arab States Broadcasting Union (ASBU), held its esteemed annual `Radio and TV Festival’ at Yasmine Hammamet in Tunisia earlier...
Latest programme for the EBU High Dynamic Range Workshop is now out!
This event will take place on the 01 June 2016 at the EBU Headquarters in Geneva with the sole aim of demystifying the HDR topic.
DVB World looks under UHDTV stones
DVB is ‘centre stage` in the discussion on UHDTV delivery standards. Find out more!
EBU tests the first HEVC UHDTV live contribution encoders
Last week, the EBU Strategic Programme – Beyond HD evaluated a set of real-time UHDTV HEVC contribution encoders. Find out more!
New Tech Report on HEVC coded (U)HDTV in DVB-T2 published
This newly published report analyses the number of TV programmes that can be accommodated in a DVB T2 multiplex when using HEVC video coding.
Standardized subtitle streams made public
The IRT, in cooperation with Akamai, Keepixo, BR and DasErste, have released two sample live Internet streams to demonstrate the potential benefits of...
Virtually ready? Latest tech-i magazine now out!
Don't miss out! Get your copy of the latest tech-i magazine today and stay up-to-date with the latest news in broadcasting technology and innovation.
FOSDEM Open Media videos now available
Eager to build a wireless camera using WiFi dongles or to reverse engineer a video codec? Watch these FOSDEM 2016 presentations and learn more!
New 4 year study cycle for ITU-R broadcasting working groups kicks off
ITU-R Study Group 6, dealing with broadcasting issues, and its Working Parties held recently (from 25 January to 5 February) their first block of meetings...
Is Virtual Reality the next 3D?
VR is 3D around your head. Will it thus suffer the same faith as 3DTV has? Simon Gauntlett (DTG) made up the balance during the EBU Production Technology...
The future of television or the television of the future?
The room was packed as we kicked off the annual Production Technology Seminar (PTS) 2016. With more than 130 delegates and 16 technology demonstrations...
The future of television – The television of the future
With less than two weeks left to go, the EBU is a buzz with preparations for the next Production Technology Seminar (taking place 26-28 January).
Timed Text subtitling receives Emmy Award
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Early bird rates end soon for EBU Production Technology Seminar 2016
The next Production Technology Seminar event will take place 26-28 January 2016 at the EBU Headquarters in Geneva, Switzerland. Register now and take advantage...
EBU-TT Live Subtitling ready for implementation
The EBU has published v0.9 of its live subtitling specification EBU Tech 3370. The document is stable and meant to encourage implementers to gain practical...
Programme highlights for EBU Production Technology Seminar 2016
This year’s keynote session at PTS is dedicated to discussing this topic and taking a closer look at producing across media – “A 360̊ perspective” to be...
EBU helps organize Open Media Devroom at FOSDEM 2016
The EBU will once again help organize an 'Open Media' devroom at the annual FOSDEM event in Brussels. Presentation proposals are still welcome.
Welcome to the LiveIP Project! Latest tech-i magazine now out
Don't miss out! Get your copy of the latest tech-i magazine today and stay up-to-date with the latest news in broadcasting technology and innovation.
The applicability of the interoperable master format (IMF) to broadcast workflows
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EBU Production Technology Seminar programme now out for 2016
The draft programme for the 2016 Production Technology Seminar, held at the European Broadcasting Union 26-28 January in Geneva, Switzerland is now available...
Applying the Open Source Ethos in your Company
Audiences expect broadcasters to provide their content on a multitude of different platforms. Being able to access the content with “no strings attached”...
How Vimeo serves a three digit million audience every month
How does Vimeo's high quality video compression pipeline work? How is software development and deployment to the cloud organized? And what does Vimeo think...
Media companies get personal at EBU DevCon 2015
This year’s annual EBU Developer's Conference will focus on how best to address the changing media landscape in relation to software development.
EBU videos aid students at BBC Academy
The BBC Academy in the UK is one of the world’s most famous institutions for training people to work in broadcasting. David Wood takes part in student's...
SCRUM inventor Ken Schwaber gives keynote at EBU DevCon
At EBU DevCon Ken Schwaber will talk about how to scale SCRUM, whilst EBU Member RTS will offer participants a 'survival guide of the Agile Jungle' and...
Quality Control: more than keeping up appearances!
In an ideal world there would be no need for quality control – the audience would see a programme exactly as the producers intended!
Annual open source meet-up to take place at IBC
Our annual EBU Open Source Meet-up at IBC is an informal event where people can meet, network and exchange ideas on open source software.
dash.js player adds support for EBU-TT-D subtitling
The MPEG-DASH Industry Forum has released v1.5 of the dash.js reference player, including support for the EBU-TT-D subtitling format, The EBU has published...
The Media Factory of the Future
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Sound progress at IBC
The traditional EBU Loudness Breakfast at IBC has transformed into a session which looks beyond audio levels. During IBC 2015, there will be plenty of...
Optimised Software H265/HEVC Encoder for UHDTV
With the rapidly growing interest and demand for Ultra High Definition Television (UHDTV) services, video compression technologies face key challenges....
My media, any device! Latest EBU tech-i magazine now out
Don't miss out! Get your copy of the latest tech-i magazine today and stay up-to-date with the latest news in broadcasting technology and innovation.
EBU shows new tech at world's most influential media event
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BBC R&D receives IBC 2015 Conference Prize
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Learn how to visualize anything at EBU DevCon 2015
At EBU DevCon 2015, D3 expert Christopher Chiche will lead a 2-hour hands-on workshop on usign D3.js for data visualization.
FIMS 1.3: more components for interoperable media workflows
IBC 2015 is coming soon, offering the perfect venue to update the broadcasting community on the Framework for Interoperable Media Services (FIMS) initiatives.
Take a dive into Docker at DevCon 2015
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See EBU-TT @ IBC
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EBU-TT subtitling goes live
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How are technological developments transforming broadcast media?
This was the key question asked by Simon Gauntlett (DTG) at the beginning of this year’s Technical Assembly in Krakow, Poland.
Hybrid is here to stay! Get your copy of our latest tech-i magazine today
Don't miss out! Get your copy of our latest tech-i magazine today and stay up-to-date with the latest news in broadcasting technology and innovation.
Beyond HD: overkill or not?
The EBU argues 4k should evolve into a truly improved user experience, including extended dynamic range and higher framerates.
EBU.IO - Graphic User Interface for Quality Control Programme
Undergoing its final preparations for a full launch later this year, the EBU.IO/QC software is looking good.
tech-i news: Media production tools in the cloud
Maurizio Montagnuolo (RAI) offers insight on supporting workflows on an advanced cloud media store.
Super-sized proportions at NAB this year – HDR, drones, IP and more!
"The world craves quality content. And for the pros who hunger to create and deliver it, the 2015 NAB Show® is the only source to satisfy your appetite."
How do we produce 'smarter'? Latest tech-i magazine now out
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HFR, HDR test content from the Zurich Athletics 2014 now available!
The debate for television image quality continues to evolve. With a growing interest throughout the world in Ultra High Definition Television (UHDTV),...
The Chinese National Engineering Research Center on DTV and EBU
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EBU at the New European Media (NEM) Forum General Assembly
At the 2015 NEM General Assembly, EBU engineer David Wood was invited to explain the current status of standardization in Ultra High Definition Television....
TLCI-2012 news, 'definitely not what we did on our holidays'
This Technical Review will be of interest to those looking to find out more about the TLCI-2012 results.
BBC demonstrates end-to-end use of EBU-TT-D in MPEG DASH
The BBC R&D's testing has shown EBU-TT-D provides the necessary functionality to allow end-to-end subtitle streaming. The MPD and encoded segments are...
HbbTV announced the release of the HbbTV 2.0 specification
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About Open Source for the Media (and curing VVS)
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PTS opens with keynotes on producing smarter
The annual EBU Production Technology Seminar kicked off in Geneva yesterday morning with a record participation.
BroadThinking 2015: A closer look at HbbTV V2
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PTS 2015 with interactive tutorials and unique tech demos
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PTS 2015 – The reference event in broadcast production
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EBU tech-i 22: Video didn’t kill the radio star!
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Progress on future requirements for media standards at SMPTE
European broadcasters contributed to SMPTE discussions on future media standards requirements.
13 - 14 Jun 2019
Cavtat/Dubrovnik, Croatia
The 25th Technical Assembly will take place at Cavtat near Dubrovnik, Croatia, kindly hosted by HRT.
This is an extract of ETSI TS 101 231 where code registrations for the PDC and VPS systems are maintained and updated.
This article introduces a light-weight model to evaluate the Quality of Experience (QoE) for Over‑The‑Top (OTT) audio‑visual services.
This report summarises a number of key findings from the measurements of first generation HDR-capable video monitors, which were tested in 2018 by a group of EBU Member experts.
These are the EBU's recommendations to broadcasters and vendors to promote the adoption of NGA throughout the broadcast chain.
The inaugural European Championships in summer 2018 provided a perfect opportunity to test several emerging technologies. This issue of tech-i looks at what was done in terms of both production and distribution, covering advanced video and audio formats and potential 5G approaches.
This publication provides advice to reduce the risk of persistent 'image retention' (so-called image burn-in) on production monitors (and by extension CE) displays.
2160p/100 HLG test material shot 'as live' during the European Championships 2018 in the Olympic Stadium in Berlin (Germany).
For Public Service Media access services such as subtitling are very important. The formats used for its creation and distribution are evolving and converging around IMSC.
The Interoperable Master Format is a SMPTE standard for the interchange of multi-version, finished audio-visual content. How relevant is it for broadcasters?
Guaranteeing the quality of media content is vital for our industry. The EBU helps all actors to speak a common Quality Control (QC) language.
This Technical Report describes European PSB initiatives regarding the use of 4G & 5G technologies for Broadcast.
EBU Tech 3380 specifies an XML based format for the distribution of subtitles over IP-based networks. Version 1.0.1 includes two additional features defined in W3C IMSC v1.0.1 and improves compatibility with other profiles of TTML.
In 2017, Augmented Reality gained momentum due to the release of Software Development Kits and Computer Graphics productions from big players, such as Amazon, Apple, Facebook, Google and Snapchat. This guide provides an introduction to the latest AR developments.
High Dynamic Range (HDR) can make major difference to image quality. This EBU guide is meant to help EBU Members find their way in the concepts and standards that form the basis of the current HDR technology.
PSM organisations produce content and services for linear and non-linear distribution. A set of distribution requirements has been defined to ensure the desired availability and technical quality of PSM services across all platforms and on all devices.
The advent of High Dynamic Range (HDR) and Wide Colour Gamut (WCG) video naturally leads to consideration of what constitutes a good monitor for use with such signals.
This report provides the conclusions of work performed in the EBU IMF-TV group with regard to the relevance of the Interoperable Master Format for broadcasters. It includes a basic introduction to IMF.
Tech 3320 defines the technical characteristics for video broadcast monitors used in a professional TV production environment for evaluation and control of the images being produced.
This document provides guidelines to safe areas (both graphics and action).
This document is Part 3 of the EBU-TT series. It specifies how to use EBU-TT for the production and contribution of live subtitles. This is version 1.0.
This document provides strategies for the mapping of EBU STL (Tech 3264) to EBU-TT Subtitle Files.
This document contains the formal definitions for metadata elements that can be used within EBU‑TT documents to describe characteristics of the contained subtitle data, thus facilitating interchange between users of an EBU‑TT document.
This is the specification of an XML based archiving and interchange format for EBU-TT subtitles. Version 1.2 provides continued alignment with the related EBU-TT specs. Note that the EBU-TT mettadata has been moved to EBU-TT part M.
This document describes how EBU‑TT Live documents (EBU Tech 3370) can be carried from node to node using WebSocket connections.
The Media Technology Pulse is a new publication from the EBU Technology & Innovation department, highlighting 12 critical media technology trends for EBU Members.
This reports the tests, methodologies, results and the conclusions drawn from subjective assessments of UHD TV, including HDR contents as displayed by both HDR and SDR panels.
This document identifies a set of service requirements for representative use cases concerning 3GPP-based television distribution.
The March 2017 issue of tech-i includes FM switch-off in Norway, the launch of the EBU Multi-CDN pilot and the PEACH personalization project.
A new system concept for DTT, called “WiB”, is presented, where potentially all frequencies within the UHF band are used on all transmitter sites (i.e. reuse-1).
This document briefly gives the main features of the American ATSC 3.0 IP delivery suite of standards that should be finalised in early 2017.
Our latest issue of tech-i 29 takes a closer look at meeting audience expectations, women and technology, big data, cybersecurity, live IP and more!
The report discusses video system requirements for UHDTV and an advanced 1080p HDTV format, to help inform broadcasters making decisions on infrastructures and flexible workflows. Today's version corrects a typo and a link.
An overview of EBU Technology & Innovation activites from 2015 - 2016.
EBU tech-i magazine, Issue 28 answers the question what all the 'fuzz' around HbbTV is about, takes a look at the advantages of the IMF and much more...
EBU tech-i magazine, issue 27 includes articles on Virtual Reality, Cross-Media Production, UHD, Loudness, and much more...
EBU tech-i magazine, issue 26 welcomes you to the LiveIP Project, shows the latest on Automated Signing Production, and more...
This article suggests a way of adapting IMF to broadcasters’ requirements by giving an insight into possible extensions to the IMF structure.
EBU Timed Text (EBU-TT) is the successor of the EBU STL subtitling format. It supports the production and archiving of subtitles, legacy STL file transcoding and tunnelling, online distribution and live subtitling.
EBU tech-i magazine, Issue 25 tells you all about personalisation, why broadcasters should go IP, and how subtitles go live. And that's not all...
EBU tech-i magazine, Issue 23 tells you how you can produce smarter, introduces future broadcasting architectures, dives into the use of the 700 MHz band, explains how hackers have become 'smart', and more...
EBU tech-i magazine, issue 22 explains why Video did NOT kill radio and what the future of radio will be like. And there is more, including Cross-Platform Authentication and a look at the state of loudness normalisation in Europe.
This is version 1.0 of the document, dated October 2014. The aim of the document is to specify how the EBU-TT-D subtitling distribution format specified in EBU Tech 3380 can be stored using the storage format defined in ISO/IEC 14496-12.
Since 11 Sep 2014 the EBU QC Test Items are no longer defined in an Excel sheet, but using an online platform (which allows for exporting the information as well). Go to: EBU.IO/QC for all details.
Broadcasters produce a wide range of content and services as traditional linear radio and TV but also as time-shifted, on-demand, hybrid content and data services. This study assessing the distribution options available to broadcasters now and for the future.
Issue 20 of tech-i includes news on newsrooms, addresses the question if FTA TV is dead, takes a look at MPEG MMT, provides a profile of the new EBU TC chairman Egon Verharen (NPO) and features two articles explaining what UHDTV will offer. And there is more...
Issue 17 of tech-i looks at UHDTV, with SVT's Per Björkman on the UHD equation, Hans Hoffmann on UHD technology parameters, David Wood on high frame rates, and a report on the recent shoot of the Eurovision Young Dancers.
NPO, the Netherlands public broadcasting organization, has implemented an Optical Character Recognition (OCR) solution for real time conversion of in-vision subtitles to spoken subtitling audio.
This article explains the current state of video file quality control at the Finnish Broadcasting Company (Yle). In general, QC activities at Yle try to ensure that play-out automation can play back a video file, that the technical quality of the video and audio are acceptable, and that there are no issues that have not been detected by the automated QC.
Between 2007 and 2009, NRK carried out a project called the “Programme Bank”, the main goal being to transform its TV production infrastructure to a fully file-based platform with an incorporated MAM system.
Assessment of a Sony BRC-H900 performed by Alan Roberts in line with EBU R 118. This report is a supplement to EBU Tech 3335.
This article — first published in the March 2012 edition of the SMPTE Motion Imaging Journal — connects the dots among SDI, AAF/MXF, SMPTE 2022, IMF and FIMS.
Issue 12 of tech-i includes a look back at February's RadioHack workshops, a look forward to the Libre Software Meeting where the EBU is organizing sessions on Free and Open Source Software for media, introductions to the IMPS programme, EBUCore and MPEG-DASH, plus an update on follow-up actions from WRC-12. David Wood weighs up digital radio options and HRT's Kazimir Bacic is "In the spotlight".
Assessment of a Nikon D4 DSLR performed by Alan Roberts in line with EBU R 118. This report is a supplement to EBU Tech 3335.
The means of transporting subtitles & captions using MXF (the de-facto standard for A/V essence) in IT-based television production environments is specified.
Assessment of a Nikon D800 DSLR performed by Alan Roberts in line with EBU R 118. This report is a supplement to EBU Tech 3335.
Digitization has became a mandatory step that media stakeholders have to face up to, in order to cope with the increasingly digital nature of production, archiving and distribution workflows.
Besides giving some details of a migration project at ORF, this article discusses different proposals concerning the understanding of QC from an archival viewpoint, along with file format collateral effects and, finally, some data-tape library issues.
This article explores some of the whats and hows of Access Services – what do prepared subtitling, live subtitling, audio description, spoken subtitling and visual signing entail ... what kinds of issues emerge when offering access services ... and how can these production and delivery issues be addressed by broadcasters.
A suite of programs, written for colorimetric analysis of single frames extracted from digitally captured video sequences. The programs are all written in BBC BASIC for Windows, and the routines have been kept as simple as possible.
Teletext is about 25 years old and is currently being brought into the digital broadcasting environment by the DVB project. This article looks at some of the key issues involved in offering teletext and subtitling to DVB viewers.
Subtitling has become one of the "growth areas" of European broadcasting, as television services take in increasing numbers of programmes from outside their own countries. The EBU has taken the initiative of establishing a standard for the exchange of subtitle lists.
This document specifies a format for the exchange of subtitling data. The EBU standardised this data file format to enable the exchange of in- vision and teletext subtitles. The format was designed for use by broadcasters at both national and international levels.