EBU Technology & Innovation Workplan
Every two years, the EBU develops a roadmap for technology and innovation activities based on the requirements and inputs given by EBU Members. The result of this roadmap is our bi-annual EBU Technology & Innovation Workplan. Strategic programmes and project groups are set up to focus on specific areas of interest. To access the latest Workplan, click here.
EBU Strategic Programme on Audio Systems
- Helps Members to maximise the quality and availability of sound production technology.
- Provides guidance and working documents to help you make the move to new audio systems: audio production and broadcasting are being transformed by new technologies. The next generation of audio experiences will be more immersive than ever before and interactive. It is important that broadcasters look at new file formats to deliver and produce audio in these advanced systems.
- We take into consideration your feedback when making contributions to ITU and ETSI standards and organize seminars and trainings to enable you to use new technologies and share best practice.
If you are interested in Audio Systems, join our group on this topic and participate in the discussions. Some restrictions may apply.
The EBU Strategic Programme on Audio Systems (formerly FAR) provides guidance to help broadcasters make the move to new (IP-based) audio systems, provides input to ITU and ETSI standardization, and organize seminars and workshops to enable sharing of best practices in new audio production technology.
Audio systems target the development of the missing ecosystem that links content creators with the sound rendering function in end-users devices.
These objectives are driven by the object-based audio (OBA) approach developed in the Audio Definition Model (ADM) of EBUCore.
The PLOUD group falls within Audio Systems' remit and it will continue with work on audio loudness.
EBU Audio Systems consists of two parts:
- AS-EBU, which is restricted to EBU Members (public service media organizations)
- AS-ALL, which includes the EBU members and all industry professionals (including equipment manufacturers, research organizations, etc.)
When you join EBU Audio Systems, you are automatically added to the appropriate e-mail reflector(s) and given access to the relevant workspaces and other tools.
How we work
The actual work is performed via the e-mail reflector(s) and webexes to coordinate the work and keep all in-sync regarding the latest activitities.
The best place to start for an overview of what is going on is AS workspace.
If you have any questions/need help, please contact the coordinator: Roger Miles (EBU).
Roland Garros (2018)
France Télévisions and the French Tennis Federation, in collaboration with TDF and FRANSAT, a subsidiary of Eutelsat, successfully tested the transmission and reception of MPEG-H Audio immersive sound over DVB-T2 and satellite during the Roland Garros tennis tournament ... read more.
Eurovision Song Contest (2018)
EBU and Frauhnofer IIS conducted a successful live MPEG-H audio production trial during the ESC 2018 ... read more.
Overview of the DVB TS 101 154 (2018)
Overview of the DVB UHD specification TS 101 154 ... read more.
ORPHEUS - Object - Based Audio Experience (December 2015-May 2018)
ORPEHUS is a completed European Commission HORIZON 2020 research project that pioneered the development of an end-to-end object-based media chain for audio content ... read more.
4EVER-2 Project (2017)
World premiere ! 4EVER-2 is proud to deliver an Ultra HD-TV phase 2 live production, with HD-TV « HFR » 100 frames per second and Dolby AC-4 audio... read more.
The document presents practical guidelines to relevant settings and processing in the signal chain from the studio to consumer equipment. It aims to achieve consistent loudness levels throughout the complete chain from broadcaster to consumer. This is version 2.1, July 2016; editorial changes only (pagination, typos and fonts).
This supplement to EBU R 128 specifies a special set of loudness parameters for short-form content. This version 2.0 puts emphasis on the permitted Maximum Short-term loudness and does no longer include the use of the Max. Momentary Loudness limit.
In this document the properties of a loudness meter in the so-called ‘EBU Mode’ are introduced and explained in detail. This version 3.0 includes new minimum requirement test signals, clarifications and a new requirement on LRA stability signalling. This set of test signals complements the document.
The ‘Loudness Range’ (LRA) measure and the algorithm for its computation is introduced and explained in detail. Loudness Range is supplementary to the main audio Programme Loudness described in EBU R 128. This is version 3.0.
EBU Recommendation 128 is a milestone in the history of audio broadcasting. It started a loudness revolution by specifying normalized loudness levels in production, in play-out systems and, potentially, in many other applications. This article explains how distributors could support the good broadcasters while improving consumer satisfaction at the same time.
This article describes the success of the implemention of loudness normalization on DAB broadcasts in Norway with a few words on other radio platforms. Thus far, loudness awareness has been almost exclusive to television. Could loudness normalization also be employed in radio? And if yes, what radio platforms could benefit from it? Find out by reading this article.
The March 2012 issue of tech-i covers TV White Spaces, LED lights, colorimetry and storage. You'll also find three radio-related articles, from FM swtich-off plans in Norway, to Loudness considerations and a strategic view from Lieven Vermaele. Finally, RTR's Igor Orlov is "in the spotlight" and David Wood asks how much R&D should be done by broadcasters.
The EBU R 128 logo is the symbol of the EBU Recommendation R 128 on Loudness normalisation and permitted maximum level of audio signals. Use of the logo by third parties is allowed subject to the rules in this document.
The EBU stand at this year's IBC show will focus on technologies developed for broadcasters by broadcasters, with an emphasis on meeting the requirements...
The EBU has partnered with several other leading organizations to create the IP Showcase, demonstrating that real-time media production using IP networks...
The December 2016 issue of tech-i is now available for download. Among the usual mix of trending tech stories are two that focus on Next Generation Audio.
The FAME Audio Group held its 32nd meeting at BBC R&D North in Salford on Thursday last week. Find out more...
Virtual reality (VR), High Dynamic Range (HDR) and High Frame Rates (HFR) are just some of the European Broadcasting Union’s (EBU) latest achievements...
The lastest issue of EBU Technical Review focuses on how to make immersive audio available for mass-market listening.
It was without a doubt the most successful EBU Network Technology Seminar ever. With 159 participants, 9 tutorials and 5 cross-industry demonstrations,...
The first day of NTS 2016 kicked off with a keynote from François Legrand (CBC) who called for flexibility, agility and scalability...
This issue of our tech-i magazine explores “What’s all the fuss about HbbTV?”
NTS 2016 will take place 21-22 June 2016 at the EBU Headquarters. With only a few weeks to go, places are limited so be sure to register now to keep your...
This year’s event will take place at the EBU in Geneva on 21-22 June 2016. To take advantage of our 30% reduced early bird rates, sign up now or before...
The EBU Network Technology Seminar is the annual rendezvous for broadcast experts and system designers dealing with IT infrastructure and IP networks as...
The room was packed as we kicked off the annual Production Technology Seminar (PTS) 2016. With more than 130 delegates and 16 technology demonstrations...
With less than two weeks left to go, the EBU is a buzz with preparations for the next Production Technology Seminar (taking place 26-28 January).
The next Production Technology Seminar event will take place 26-28 January 2016 at the EBU Headquarters in Geneva, Switzerland. Register now and take advantage...
This year’s keynote session at PTS is dedicated to discussing this topic and taking a closer look at producing across media – “A 360̊ perspective” to be...
The draft programme for the 2016 Production Technology Seminar, held at the European Broadcasting Union 26-28 January in Geneva, Switzerland is now available...
UHDTV, Hybrid Radio and the world’s first Live IP TV production studio are just some of the latest achievements in media technology and innovation from...
This was the key question asked by Simon Gauntlett (DTG) at the beginning of this year’s Technical Assembly in Krakow, Poland.
Don't miss out! Get your copy of our latest tech-i magazine today and stay up-to-date with the latest news in broadcasting technology and innovation.
The EBU Network Technology Seminar is the annual rendezvous for broadcast experts dealing with IT infrastructure, as well as for IT network and storage...
Shouldn’t the technology we see at broadcast trade shows have a direct influence on the domestic viewing experience?
"The world craves quality content. And for the pros who hunger to create and deliver it, the 2015 NAB Show® is the only source to satisfy your appetite."
The latest edition of tech-i magazine is now out! This issue focuses on the producing 'smarter', future broadcasting architectures, the use of the 700...
Participants at this year’s Production Technology Seminar at the EBU will have the opportunity to get hands-on and learn from experts during our tutorial...
The next Production Technology Seminar promises to debate and demystify the key strategic technology topics for broadcasters and industry in the coming...