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(Note: Translations are generated with the help of AI without human review. These translations are made available to you for convenience and may contain inaccuracies or errors. Please check important information in the original English version or contact us. The EBU cannot be held liable for any inaccuracies or errors contained in these translations.)
Last month, the EBU switched to a new authentication method, Microsoft Entra, and decommissioned the former one (sso.ebu.ch).
What this means for most EBU Members ?
Employees of most EBU Members should now use a federated login to authenticate. This means your organization acts as the identity provider. You no longer need 2 separate accounts or 2 separate passwords. Your work credentials give you access to EBU content.
What to do on the next screen ?
If you already have an EBU account, enter your professional email address and select Next. You will see the EBU logo change to your organization’s logo. Enter your usual work password and, if prompted, accept the sharing of information with the EBU.
What if we are using shared mailboxes ?
The new authentication mechanism does not work with shared mailboxes. If you usually access EBU websites using a shared account, you must create a new individual user account. Scroll down to view the instructions.
If federated login does not work ?
For some EBU Members, as well as the general public, federated login will not work. Login remains possible with your existing account. 3 different cases may occur:
Case 1: If your email address is linked to a Microsoft account, you will be redirected to https://login.live.com. Log in using your usual Microsoft credentials.
Case 2: If your email address is linked to a Google account, you will be redirected to https://accounts.google.com. Log in using your usual Google credentials.
Case 3: If your email address is not linked to either service, you will receive a temporary password by email each time you log in.
What to do if none of the above seems to work ?
Please read the instructions below carefully, as the choice you make during your first login cannot be changed later.
To create a new account, select No account? Create one.
You will have 3 options:
Microsoft: Recommended for users working for EBU Member organizations.
Google: Create an account using your existing Google account.
Other valid email address: A temporary password will be sent to your inbox each time you log in.
If you still cannot log in after following these instructions, contact [email protected].
The EBU Production Technology Seminar 2011 allowed over 100 EBU Members and other industry representatives to be briefed in use-case presentations, discussions and by sharing experiences on recent innovations in production technologies for television and radio, or more, generally for video and audio.
Depth
The annual seminar this year started with depth. Four technology tutorials, on HDTV, 3D, SOA and Loudness, provided focussed training on priority topics faced by many industry organisations. As far as concerns the use of depth in television, Andy Quested (BBC), chairman of the EBU 3D Group, made it very clear that 3D is not a top priority for public service broadcasters. He sees a definite interest from EBU Members to better understand the production of 3D material, but not for any imminent transmission. The presentation of several product/service providers (Sony, TPC and Wige Media) made clear there are a lot of facilitators ready to provide a helping hand and gaining experience in doing so.
Width
The wide range of topics addressed in the seminar was not only reflected in the different background the participants had, but also in presentations on the use of new technology that has a wide impact on media professionals' workflow. Such as the VRT's archive digitisation project and the notes from the BBC on which cameras to (not) use for which purpose. And of course, by the strategic work on a future integration technologies based on the Services Oriented Architecture (SOA) concept.
Height
An Ambisonics demonstration provided for 'audio with height' and underlined the importance of work on high-end technologies, which are candidates for tomorrow's offerings to the broadcasters' audience. High production values were shown as well, for example in the RAI live (!) HD Opera production and the meticulous management of the audio-visual archive at SWR for the FIFA World Cup. Normalising the highly annoying level of some of the audio broadcast was the subject of the Loudness presentations (and demonstration!) provided by several PLOUD Members. For those who wanted to control width, depth and height within a single device, the steerable 3D virtual microphone presented by the RAI certainly was an impressive innovation. Maybe almost as impressive as the NHK's visionary Ultra-HDTV system, presented on day three.
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